Thursday, May 15, 2008
Saturday, April 26, 2008
ENCERRADO
vi o dom carlos na cornucópia, a antígona na barraca, o onde vamos morar nos artistas unidos e agora vou para o indie mas este já não é o lugar.
Wednesday, April 2, 2008
Óscar e a Senhora Cor-de-Rosa
LÍDIA FRANCO
uma grande interpretação para um texto demasiado previsivel e redutor.
mas já não vão a tempo...
"Óscar e a Senhora Cor-de-Rosa" é um hino à vida e ao ser humano. Mostra-nos a amizade total entre uma criança com leucemia e a Senhora cor-de-rosa (voluntária na área da pediatria do Hospital), que todos os dias o visita. Entre os dois estabelece-se um jogo: "Cada dia equivale a dez anos". Deste modo o menino passa a ter a sensação de que avança no tempo e de que aproveita a vida nas suas diferentes idades. Ele morre com mais de cem anos, ou seja, daí a alguns dias, com uma vida plena de emoções e alegrias. Nessa "longa" vida que o menino passa a ter, ele reiventa o Mundo sob a maravilhosa cor de fantasia, desafiando a morte com um olhar divertido sobre o Universo dos adultos e das outras crianças doentes que o rodeiam no Hospital. Desta vida maravilhosa ficou o testemunho através de cartas que o menino escrevia todos os dias a Deus.
de ERIC-EMMANUEL SCHMITT
tradução IVONE DE MOURA | LÍDIA FRANCO
encenação MARCIA HAUFRECHT
assistência de encenação SÓNIA NEVES
cenografia e figurinos ANA VAZ
desenho de luz JOSÉ CARLOS NASCIMENTO
voz e elocução MARIA JOÃO SERRÃO
Monday, March 24, 2008
cinema lisboa #016
um daqueles filmes feitos para um actor e um actor apenas.
de qq modo, gostei da construção inicial do personagem e dos planos do incêndio.
[there will be blood - anderson]
Antígona n'A Barraca
estimáveis amadores esforçados a quem o próprio passado exigiria muito mais.
Texto de Sófocles
Espectáculo de Maria do Céu Guerra
versão da responsabilidade de Maria do Céu Guerra,
a partir da tradução de Maria Helena da Rocha Pereira
Cenografia de Carlos Amado sob Consultoria de Lagoa Henriques
Elenco: Rita Lello (Antígona), José Medeiros (Creonte), João D’Ávila, Jorge Gomes Ribeiro, Maria do Céu Guerra, Mariana Abrunheiro, Rita Fernandes, Pedro Borges, Ruben Garcia, Sérgio Moras, Tiago Cadete
Sunday, March 23, 2008
"o dalai lama é o maior" ou "o governo chinês é o mais criativo de todos"
Reacção a ameaça internacional de boicote
China acusa o Dalai Lama de tornar reféns os Jogos Olímpicos
23.03.2008 - 15h46 Reuters
A China acusou hoje o Dalai Lama de querer a independência do Tibete às custas dos Jogos Olímpicos de Pequim , que se realizam este Verão.
O Governo de Pequim já tinha acusado ontem o líder do Tibete de conluio com movimentos separatistas na região de Xinjjiang e entende os confrontos no Tibete como um problema de segurança que é preciso reprimir antes dos Jogos Olímpicos.
Os confrontos entre forças chinesas e monges budistas tibetanos começaram há uma semana quando estes decidiram comemorar os 49 anos de uma tentativa falhada de proclamação de independência do Tibete.
O Dalai Lama já criticou a reacção violenta dos tibetanos e a resposta chinesa e diz que está disposto a dialogar não pela independência mas por um regime de autonomia para o Tibete.
Mas as autoridades chinesas acusam o líder espiritual budista de estar por trás dos motins e de querer arruinar as Olimpíadas de Pequim.
O jornal oficial do partido comunista chinês, o “People’s Daily”, afirma que o Dalai Lama, prémio Nobel da paz em 1989, nunca abandonou a violência desde que abandonou a China em 1959, após uma tentativa falhada de revolução, em Pequim. “A mensagem pacifista e de não-violência do Dalai Lama não passa de uma mentira do princípio ao fim. O Dalai Lama está a tornar os Jogos Olímpicos reféns das concessões que deseja do Governo chinês rumo à independência do Tibete”, diz o jornal.
Ontem o presidente do Parlamento Europeu Hans Gert Pöttering, defendeu "medidas de boicote" aos Jogos Olímpicos de Pequim caso a China continue a recusar dialogar com o líder espiritual tibetano.
China acusa o Dalai Lama de tornar reféns os Jogos Olímpicos
23.03.2008 - 15h46 Reuters
A China acusou hoje o Dalai Lama de querer a independência do Tibete às custas dos Jogos Olímpicos de Pequim , que se realizam este Verão.
O Governo de Pequim já tinha acusado ontem o líder do Tibete de conluio com movimentos separatistas na região de Xinjjiang e entende os confrontos no Tibete como um problema de segurança que é preciso reprimir antes dos Jogos Olímpicos.
Os confrontos entre forças chinesas e monges budistas tibetanos começaram há uma semana quando estes decidiram comemorar os 49 anos de uma tentativa falhada de proclamação de independência do Tibete.
O Dalai Lama já criticou a reacção violenta dos tibetanos e a resposta chinesa e diz que está disposto a dialogar não pela independência mas por um regime de autonomia para o Tibete.
Mas as autoridades chinesas acusam o líder espiritual budista de estar por trás dos motins e de querer arruinar as Olimpíadas de Pequim.
O jornal oficial do partido comunista chinês, o “People’s Daily”, afirma que o Dalai Lama, prémio Nobel da paz em 1989, nunca abandonou a violência desde que abandonou a China em 1959, após uma tentativa falhada de revolução, em Pequim. “A mensagem pacifista e de não-violência do Dalai Lama não passa de uma mentira do princípio ao fim. O Dalai Lama está a tornar os Jogos Olímpicos reféns das concessões que deseja do Governo chinês rumo à independência do Tibete”, diz o jornal.
Ontem o presidente do Parlamento Europeu Hans Gert Pöttering, defendeu "medidas de boicote" aos Jogos Olímpicos de Pequim caso a China continue a recusar dialogar com o líder espiritual tibetano.
Wednesday, March 19, 2008
one of the great, magnificent and moving speeches in the American political tradition
Obama Chooses Reconciliation Over Rancor
By JANNY SCOTT
Published: March 19, 2008 in the New York Times
It was an extraordinary moment — the first black candidate with a good chance at becoming a presidential nominee, in a country in which racial distrust runs deep and often unspoken, embarking at a critical juncture in his campaign upon what may be the most significant public discussion of race in decades.
In a speech whose frankness about race many historians said could be likened only to speeches by Presidents Lyndon B. Johnson, John F. Kennedy and Abraham Lincoln, Senator Barack Obama, speaking across the street from where the Constitution was written, traced the country’s race problem back to not simply the country’s “original sin of slavery” but the protections for it embedded in the Constitution.
Yet the speech was also hopeful, patriotic, quintessentially American — delivered against a blue backdrop and a phalanx of stars and stripes. Mr. Obama invoked the fundamental values of equality of opportunity, fairness, social justice. He confronted race head-on, then reached beyond it to talk sympathetically about the experiences of the white working class and the plight of workers stripped of jobs and pensions.
“As far as I know, he’s the first politician since the Civil War to recognize how deeply embedded slavery and race have been in our Constitution,” said Paul Finkelman, a professor at Albany Law School who has written extensively about slavery, race and the Constitution. “That’s a profoundly important thing to say. But what’s important about the way he said it is he doesn’t use this as a springboard for anger or for frustration. He doesn’t say, ‘O.K., slavery was bad, therefore people are owed something.’ This is not a reparations speech. This is a speech about saying it’s time for the nation to do better, to form a more perfect union.”
Mr. Obama’s address came more than a year into a campaign conceived and conducted to appear to transcend the issue of race, to try to build a broad coalition of racial and ethnic groups favoring change. In the issues he has emphasized and the language he has used, as well as in the way he has presented himself, he has worked to elude pigeonholing as a black politician.
He has been criticized as “not black enough” and “too black,” he acknowledged Tuesday. In recent months, the issue of race has stirred up the smooth surface of his campaign and become a source of tension between him and his opponent, Senator Hillary Rodham Clinton. In the past week, videotaped snippets of the incendiary race rhetoric of Mr. Obama’s longtime pastor, the Rev. Jeremiah A. Wright Jr., seemed on the verge of tainting Mr. Obama with the stereotype he had carefully avoided: angry black politician.
He faced a choice: Having already denounced Mr. Wright’s ferocious charges about white America, he could try to distance himself from the man who drew him to Christianity, married him and baptized his two children. Or he could try to explain what appeared to many to be the contradiction between Mr. Wright’s world view and the one Mr. Obama had professed as his own.
To some extent, he did both.
In a setting that bespoke the presidential, he began with the personal: He invoked his own biography as the son of a black Kenyan man and a white American woman, grandson of a World War II veteran and a bomber assembly line worker, husband of a black American who carries “the blood of slaves and slave owners.” Seared into his genetic makeup, he said, is “the idea that this nation is more than the sum of its parts — that out of many, we are truly one.”
He condemned Mr. Wright’s remarks as divisive but at the same time embraced him as family, “as imperfect as he may be.” He traced the roots of black church preaching deep into “the bitterness and bias” of the black experience. He offered a primer on the link between today’s racial disparities and the system of legalized discrimination that prevented blacks from owning property, joining unions, becoming police officers and firefighters, and accumulating wealth to pass on to future generations.
“For the men and women of Reverend Wright’s generation, the memories of humiliation and doubt and fear have not gone away,” Mr. Obama said. “Nor has the anger and the bitterness of those years. That anger may not get expressed in public, in front of white co-workers or white friends. But it does find voice in the barbershop or around the kitchen table.” And occasionally, he said, “in the church on Sunday morning, in the pulpit and in the pews.”
He acknowledged white anger, too — over things like affirmative action and forced school busing — but urged both sides to address the subject to find a way forward.
“Race is an issue that I believe this nation cannot afford to ignore right now,” Mr. Obama said. He said the controversies over the past couple of weeks “reflect the complexities of race in this country that we’ve never really worked through — a part of our union that we have yet to perfect. And if we walk away now, if we simply retreat into our respective corners, we will never be able to come together and solve challenges like health care, or education, or the need to find good jobs for every American.”
Historians and others described the speech’s candidness on race as almost without precedent. John Hope Franklin, a Duke University historian who led an advisory commission on race relations set up by President Bill Clinton, said Mr. Obama pointed out how easily the question of race can be distorted in this country, “which has three centuries of experience with it and yet we act like this is something new.”
Julian Bond, the longtime civil rights activist, said the speech moved him to tears. Orlando Patterson, a professor of sociology at Harvard, said he believed the speech would “go down as one of the great, magnificent and moving speeches in the American political tradition.”
“I hear so many people saying we want a national conversation on race but it’s never quite worked,” he said. “He was able to do this in one speech. But he was able to do it in a nonpartisan way in that he saw both sides.”
By JANNY SCOTT
Published: March 19, 2008 in the New York Times
It was an extraordinary moment — the first black candidate with a good chance at becoming a presidential nominee, in a country in which racial distrust runs deep and often unspoken, embarking at a critical juncture in his campaign upon what may be the most significant public discussion of race in decades.
In a speech whose frankness about race many historians said could be likened only to speeches by Presidents Lyndon B. Johnson, John F. Kennedy and Abraham Lincoln, Senator Barack Obama, speaking across the street from where the Constitution was written, traced the country’s race problem back to not simply the country’s “original sin of slavery” but the protections for it embedded in the Constitution.
Yet the speech was also hopeful, patriotic, quintessentially American — delivered against a blue backdrop and a phalanx of stars and stripes. Mr. Obama invoked the fundamental values of equality of opportunity, fairness, social justice. He confronted race head-on, then reached beyond it to talk sympathetically about the experiences of the white working class and the plight of workers stripped of jobs and pensions.
“As far as I know, he’s the first politician since the Civil War to recognize how deeply embedded slavery and race have been in our Constitution,” said Paul Finkelman, a professor at Albany Law School who has written extensively about slavery, race and the Constitution. “That’s a profoundly important thing to say. But what’s important about the way he said it is he doesn’t use this as a springboard for anger or for frustration. He doesn’t say, ‘O.K., slavery was bad, therefore people are owed something.’ This is not a reparations speech. This is a speech about saying it’s time for the nation to do better, to form a more perfect union.”
Mr. Obama’s address came more than a year into a campaign conceived and conducted to appear to transcend the issue of race, to try to build a broad coalition of racial and ethnic groups favoring change. In the issues he has emphasized and the language he has used, as well as in the way he has presented himself, he has worked to elude pigeonholing as a black politician.
He has been criticized as “not black enough” and “too black,” he acknowledged Tuesday. In recent months, the issue of race has stirred up the smooth surface of his campaign and become a source of tension between him and his opponent, Senator Hillary Rodham Clinton. In the past week, videotaped snippets of the incendiary race rhetoric of Mr. Obama’s longtime pastor, the Rev. Jeremiah A. Wright Jr., seemed on the verge of tainting Mr. Obama with the stereotype he had carefully avoided: angry black politician.
He faced a choice: Having already denounced Mr. Wright’s ferocious charges about white America, he could try to distance himself from the man who drew him to Christianity, married him and baptized his two children. Or he could try to explain what appeared to many to be the contradiction between Mr. Wright’s world view and the one Mr. Obama had professed as his own.
To some extent, he did both.
In a setting that bespoke the presidential, he began with the personal: He invoked his own biography as the son of a black Kenyan man and a white American woman, grandson of a World War II veteran and a bomber assembly line worker, husband of a black American who carries “the blood of slaves and slave owners.” Seared into his genetic makeup, he said, is “the idea that this nation is more than the sum of its parts — that out of many, we are truly one.”
He condemned Mr. Wright’s remarks as divisive but at the same time embraced him as family, “as imperfect as he may be.” He traced the roots of black church preaching deep into “the bitterness and bias” of the black experience. He offered a primer on the link between today’s racial disparities and the system of legalized discrimination that prevented blacks from owning property, joining unions, becoming police officers and firefighters, and accumulating wealth to pass on to future generations.
“For the men and women of Reverend Wright’s generation, the memories of humiliation and doubt and fear have not gone away,” Mr. Obama said. “Nor has the anger and the bitterness of those years. That anger may not get expressed in public, in front of white co-workers or white friends. But it does find voice in the barbershop or around the kitchen table.” And occasionally, he said, “in the church on Sunday morning, in the pulpit and in the pews.”
He acknowledged white anger, too — over things like affirmative action and forced school busing — but urged both sides to address the subject to find a way forward.
“Race is an issue that I believe this nation cannot afford to ignore right now,” Mr. Obama said. He said the controversies over the past couple of weeks “reflect the complexities of race in this country that we’ve never really worked through — a part of our union that we have yet to perfect. And if we walk away now, if we simply retreat into our respective corners, we will never be able to come together and solve challenges like health care, or education, or the need to find good jobs for every American.”
Historians and others described the speech’s candidness on race as almost without precedent. John Hope Franklin, a Duke University historian who led an advisory commission on race relations set up by President Bill Clinton, said Mr. Obama pointed out how easily the question of race can be distorted in this country, “which has three centuries of experience with it and yet we act like this is something new.”
Julian Bond, the longtime civil rights activist, said the speech moved him to tears. Orlando Patterson, a professor of sociology at Harvard, said he believed the speech would “go down as one of the great, magnificent and moving speeches in the American political tradition.”
“I hear so many people saying we want a national conversation on race but it’s never quite worked,” he said. “He was able to do this in one speech. But he was able to do it in a nonpartisan way in that he saw both sides.”
Tuesday, March 18, 2008
Friday, March 14, 2008
Monday, March 3, 2008
tuesday is the end, or the beginning
JOHN HARWOOD, new york times, march 3, 2008
This week, more than any other of the 2008 Democratic campaign, has acquired an air of decisiveness.
That is because four primary contests on Tuesday could extinguish Senator Hillary Rodham Clinton’s hope of overtaking Senator Barack Obama. After 11 consecutive losses, she trails badly in Vermont, runs even or slightly behind in Texas, and leads in Ohio and Rhode Island.
Yet the hinge could still swing either way. If Mrs. Clinton carries the behemoths of Ohio and Texas — despite her opponent’s momentum and financial advantage — Mr. Obama may rue this week as both an end and a beginning.
Specifically, Tuesday could be the end of his coronation as Democratic standard-bearer and the beginning of a wrenching springtime struggle. With Clinton victories on Tuesday, neither political realities nor “delegate math” would preclude it.
[o resto está no new york times, web edition de hoje;
vão lá ler, o link está no título]
This week, more than any other of the 2008 Democratic campaign, has acquired an air of decisiveness.
That is because four primary contests on Tuesday could extinguish Senator Hillary Rodham Clinton’s hope of overtaking Senator Barack Obama. After 11 consecutive losses, she trails badly in Vermont, runs even or slightly behind in Texas, and leads in Ohio and Rhode Island.
Yet the hinge could still swing either way. If Mrs. Clinton carries the behemoths of Ohio and Texas — despite her opponent’s momentum and financial advantage — Mr. Obama may rue this week as both an end and a beginning.
Specifically, Tuesday could be the end of his coronation as Democratic standard-bearer and the beginning of a wrenching springtime struggle. With Clinton victories on Tuesday, neither political realities nor “delegate math” would preclude it.
[o resto está no new york times, web edition de hoje;
vão lá ler, o link está no título]
cinema lisboa #015
um assassino como há muito tempo não via no ecran.
[no country for old men - cohen & cohen]
Wednesday, February 13, 2008
newspapers reprint prophet mohammed cartoon
teria gostado de ver o público publicar isto hoje.
c'est bien dommage...
(CNN) -- Newspapers across Europe Wednesday reprinted the controversial cartoon of the Prophet Mohammed that sparked worldwide protests two years ago.
The move came one day after Danish authorities arrested three people allegedly plotting a "terror-related assassination" of Kurt Westergaard, the cartoonist behind the drawing.
Berlingske Tidende, was one of the newspapers involved in the republication by newspapers in Denmark. It said: "We are doing this to document what is at stake in this case, and to unambiguously back and support the freedom of speech that we as a newspaper always will defend," in comments reported by The Associated Press.
Newspapers in Spain, Sweden and the Netherlands also republished the drawing Wednesday as part of their coverage of Tuesday's arrests.
The image, by Morgenavisen Jullands-Posten cartoonist Westergaard, was one of 12 cartoons about the Prophet Mohammed originally published in September 2005. Westergaard's cartoon depicted the prophet wearing a bomb as a turban with a lit fuse.
Tuesday, February 12, 2008
cândido ou o optimismo
Interessante; mas ainda assim demasiado assunto para 90 minutos.
Uma fábula sobre as aventuras de Cândido, um rapaz de raciocínio recto e espírito límpido que, por meio de um traiçoeiro pontapé no traseiro, se vê subitamente mergulhado na vida adulta. Este é o início de uma longa viagem à volta do mundo que o levará a experimentar a guerra, a ser supliciado pela inquisição, a atravessar a América a pé,
a conhecer o El Dorado, a ficar milionário e a retornar à pobreza. E contudo, optimista por educação, Cândido, procurará a todo o custo continuar a acreditar que este é o melhor dos mundos possíveis.
Encenação Cristina Carvalhal
Dramaturgia Ana Vaz, Cristina Carvalhal e Cucha Carvalheiro
Cenário Ana Vaz
Figurinos Ana Vaz e Maria Gonzaga
Música Sérgio Delgado
Desenho de Luz Daniel Worm
Movimento Tiago Porteiro
Apoio Vocal Rui Baeta
interpretação Catarina Requeijo, Cucha Carvalheiro, Gonçalo Waddington, José Airosa,
Miguel Fragata, Sérgio Praia e Vítor de Andrade
Produção Executiva Mafalda Gouveia
Co-Produção Causas Comuns e Teatro Maria Matos
2008
Uma fábula sobre as aventuras de Cândido, um rapaz de raciocínio recto e espírito límpido que, por meio de um traiçoeiro pontapé no traseiro, se vê subitamente mergulhado na vida adulta. Este é o início de uma longa viagem à volta do mundo que o levará a experimentar a guerra, a ser supliciado pela inquisição, a atravessar a América a pé,
a conhecer o El Dorado, a ficar milionário e a retornar à pobreza. E contudo, optimista por educação, Cândido, procurará a todo o custo continuar a acreditar que este é o melhor dos mundos possíveis.
Encenação Cristina Carvalhal
Dramaturgia Ana Vaz, Cristina Carvalhal e Cucha Carvalheiro
Cenário Ana Vaz
Figurinos Ana Vaz e Maria Gonzaga
Música Sérgio Delgado
Desenho de Luz Daniel Worm
Movimento Tiago Porteiro
Apoio Vocal Rui Baeta
interpretação Catarina Requeijo, Cucha Carvalheiro, Gonçalo Waddington, José Airosa,
Miguel Fragata, Sérgio Praia e Vítor de Andrade
Produção Executiva Mafalda Gouveia
Co-Produção Causas Comuns e Teatro Maria Matos
2008
Tuesday, February 5, 2008
cinema lisboa #013
missão impossível para todos excepto burton: recriar a londres de dickens num banho de sangue musical: fantástico ambiente, atenção ao detalhe e negrume...
[sweeney todd - burton]
cinema lisboa #012
sátira perspicaz a uma certa visão new age do ocidente próspero sobre o oriente e, em particular, a india
[the darjeeling limited - anderson]
Thursday, January 31, 2008
a floresta
aprende-se sempre qualquer coisa com um clássico...
A FLORESTA de Aleksandr Ostróvsk
Uma das comédias mais importantes daquele que tem sido chamado o fundador do teatro russo. Escrita em 1871, A Floresta, traça com delicado humor o retrato de um grupo de personagens numa herdade russa do fim do século XIX, as suas relações, os seus anseios, a sua ignorância, as suas insatisfações, o seu mau viver. Tudo gira em torno da tensão entre o dinheiro e a felicidade. Os ricos não conseguem ser felizes com o seu dinheiro. Os pobres não são felizes porque o não conseguem ter. A proprietária, viúva rica e aparentemente virtuosa, vai vendendo talhões da sua floresta a um mujique enriquecido que lhe corta as árvores para aproveitar a madeira, e guarda o dinheiro para os prazeres com que sonha. Impede a alegria dos que a rodeiam, seus criados e protegidos. Dois actores ambulantes chegam um dia à herdade e vêm perturbar este equilíbrio. Esses, os artistas, têm a ilusão de poderem ser felizes sem dinheiro. Geram-se mais desencontros que encontros em divertidas situações que têm tanto de real como de teatral. Considerada habitualmente como uma "comédia de costumes", a obra tem uma qualidade poética que chega a lembrar Shakespeare na sua capacidade para pôr em cena a vida verdadeira sem nunca "moralizar", para entender os seres humanos nas suas pobres contradições.
(o texto é da cornucópia, claro)
A FLORESTA de Aleksandr Ostróvsk
Uma das comédias mais importantes daquele que tem sido chamado o fundador do teatro russo. Escrita em 1871, A Floresta, traça com delicado humor o retrato de um grupo de personagens numa herdade russa do fim do século XIX, as suas relações, os seus anseios, a sua ignorância, as suas insatisfações, o seu mau viver. Tudo gira em torno da tensão entre o dinheiro e a felicidade. Os ricos não conseguem ser felizes com o seu dinheiro. Os pobres não são felizes porque o não conseguem ter. A proprietária, viúva rica e aparentemente virtuosa, vai vendendo talhões da sua floresta a um mujique enriquecido que lhe corta as árvores para aproveitar a madeira, e guarda o dinheiro para os prazeres com que sonha. Impede a alegria dos que a rodeiam, seus criados e protegidos. Dois actores ambulantes chegam um dia à herdade e vêm perturbar este equilíbrio. Esses, os artistas, têm a ilusão de poderem ser felizes sem dinheiro. Geram-se mais desencontros que encontros em divertidas situações que têm tanto de real como de teatral. Considerada habitualmente como uma "comédia de costumes", a obra tem uma qualidade poética que chega a lembrar Shakespeare na sua capacidade para pôr em cena a vida verdadeira sem nunca "moralizar", para entender os seres humanos nas suas pobres contradições.
(o texto é da cornucópia, claro)
Tuesday, January 22, 2008
cinema lisboa #011
impressionante viagem sobre a (in)dignidade humana.
um murro no estômago.
[4 meses, 3 semanas e 2 dias - mungiu]
Thursday, January 17, 2008
Sun to acquire MySQL
Sun Microsystems Announces Agreement to Acquire MySQL, Developer of the World's Most Popular Open Source Database
Sun Growth Strategy Accelerates With New Position in $15 Billion Database Market
SANTA CLARA, CA January 16, 2008 Sun Microsystems, Inc. (NASDAQ: JAVA) today announced it has entered into a definitive agreement to acquire MySQL AB, an open source icon and developer of one of the world's fastest growing open source databases for approximately $1 billion in total consideration. The acquisition accelerates Sun's position in enterprise IT to now include the $15 billion database market. Today's announcement reaffirms Sun's position as the leading provider of platforms for the Web economy and its role as the largest commercial open source contributor.
Sun Growth Strategy Accelerates With New Position in $15 Billion Database Market
SANTA CLARA, CA January 16, 2008 Sun Microsystems, Inc. (NASDAQ: JAVA) today announced it has entered into a definitive agreement to acquire MySQL AB, an open source icon and developer of one of the world's fastest growing open source databases for approximately $1 billion in total consideration. The acquisition accelerates Sun's position in enterprise IT to now include the $15 billion database market. Today's announcement reaffirms Sun's position as the leading provider of platforms for the Web economy and its role as the largest commercial open source contributor.
Monday, January 14, 2008
Tuesday, January 8, 2008
Sunday, January 6, 2008
cinema lisboa #010
acho que não consigo evitar ver filmes apenas pelo philip seymour hoffman
[charlie wilson's war - nichols]
Wednesday, January 2, 2008
ainda de 2007
já me esquecia desta: pré-natal em mérida.
[saiam mais - esta é pertinho e vale bem o passeio]
[saiam mais - esta é pertinho e vale bem o passeio]
as benevolentes - jonathan littell
cada um escolhe o seu caminho. para o mal ou para a eternidade.
ou não?
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